Via PZ, Karen Heller at the Philadelphia Inquirer has an excellent article up about The Franklin, Philadelphia's science museum, pointing out the high costs of entry (admission is $23.25 per person for the over elevens) and exhibits filled with vacuous exhibitions that aren't high in scientific quality.

I have to say, one of the things I absolutely adore is the fact that London museums and galleries in the last few years have been encouraged by the government to reduce their entrance cost to that most wonderful price: free. The British Museum, the Natural History Museum, the Science Museum, and many more are now free, as are plenty of art galleries. You can now visit London, see an Archaeopteryx, ten Pablo Picasso works, an eighteenth century orrery, original Magna Cartas and Gutenberg Bibles without paying anything beyond the cost of a few Underground tickets. This is undoubtedly a good thing.

That said, if libraries are any measure, we need to be on guard against the kids-need-dumb-shit brigade. That may be so, but they don't need it in the museums. All those clever interactive doohickeys have a place: it's called the Web. I don't see the point of travelling some distance to go to a museum to find oneself interacting with a screen when you can do that at home. Me? I blame all these targets. The measure of a museum is simple: does it house objects of intellectual, historical, scientific, artistic and pedagogical importance and interest? That is what makes a good museum. Not how many people go through the door. Not how many press launches and junkets they have. Not media coverage. We should have art galleries because art itself is important, not because - as one government minister stated - consumption of art by ill people can often make them better. We should have museums about science and technology because those subjects are important, not so we can sell crap in the museum shop or increase the Sats results.

Measure museums as museums, not as subdivisions of hospitals, social services departments and job centres. There's no point getting a thousand more people through the door if there's nothing of substance to see. 
